Battle not with monsters, lest ye become a monster, as Nietzsche once said… and yet here I am coming back for a second round. Yes, it’s time for a re-match with the Rambling Roses (Rosa Multiflora) that are not so slowly but ever so surely taking over my parents’ property here in beautiful Nova Scotia.
The lesson I drew from my last encounter with these invasive giants was about physical work and the creative value to be gleaned from it. This time I’ve been pondering what might be learned from the plants themselves – and from the nature of the battle. More
Here’s a review of two recent books on creativity that have done rather well for themselves and their authors. The first is ‘The War of Art‘*, by screenwriter and novelist Stephen Pressfield (the title refers, of course, to the 6th century treatise on military strategy attributed to Sun Tzu, the Art of War); the second is the equally wonderfully-titled ‘Ignore Everybody (and 39 other Keys to Creativity)‘* by Hugh MacLeod, a popular cartoonist, blogger and general man-about-the-net.
While this will not be an entirely glowing review, particularly in one case, I want to start by saying that I consider both of these to be essential reading for the creativity space. Despite some misgivings, I think they are extremely valuable and accessible works and I heartily and unreservedly recommend them both.
There are a number of similarities, which is one reason I have chosen to review them together (another is that I happened to buy them together and read them sequentially). Both are edgy, streetwise and a little curmudgeonly, with short punchy chapters and an unapologetic willingness to take potentially controversial positions. Tough love, as it were, from a couple of guys who have done their time in the trenches – which is a nice change from the frequently more academic treatments of the topic.
Both are also written from the perspective of essentially solo artists, and portray the task at hand and the journey we are on as basically an individual endeavor. This might not ring true for everyone; as discussed in my previous post, collaboration is a deep creative well for many artists, and for some it is literally inseparable from the process; neither of these authors really mentions it at all. They may be more attractive to people working in similarly solitary idioms.
Finally, they are both fairly short books; I read each in a sitting-and-a-half, as it were, and will likely dip into them regularly for a bit of inspiration or a kick in the butt from time to time.
There are also some key differences: Ignore Everybody* is more practical, the War of Art* more psychological. MacLeod includes a selection of his own work in cartoon form, where Pressfield only makes reference to his novels and screenplays, in some cases quite self-effacingly. He also uses a lot more sports metaphors; this is the author of ‘The Legend of Bagger Vance’, after all (subsequent events have cast a different light on his numerous references to Tiger Woods, but I’ll try not to hold that against him). More