Two heads are better than one…
I’ve heard a few people say that there’s nothing like getting interviewed to let you know what you’re really all about, and I’ve recently had occasion to discover that there’s a lot of truth to that. There’s something about the format, just replying to questions from an interested person and trying to make some sort of sense about things you normally take for granted… it seems to bring out unexpected insights.
I mean, as a professional musician and someone who’s had it in mind to be one since childhood, I’ve thought over the kinds of things I might say in an interview many times, though opportunities to deploy these musings have been thin on the ground thus far. And of course it’s not exactly the same, because the things you think someone might ask are often the things you already have in mind, whereas the things someone’s actually likely to ask might be completely different.
So it’s with some pleasure that I can now send you to an audio interview I did recently for a new series called ‘Mix and Master‘, where my new friend and colleague Oleg Mokhov will be talking to a variety of independent musicians about how they make it work, what makes it worthwhile, and probably many other things as well. I was honored to be his first guest, and I hope you’ll find the resulting conversation worth listening in on; it was definitely a lot of fun and an interesting experience for me. (There are a few audio dropouts and glitches here and there, but most of the essential points come through). More
What’s the difference between an artist and a technician? I suspect that the answer to that really depends on whom you’re talking to. I’m sure a lot of artists would say there’s all the difference in the world, but I’m not so sure I agree. I also think there are a lot of artists who get a lot done who might question the notion that there’s a cut-and-dried categorical difference between the two.
A lot of what really separates people who make art on an active, daily basis from people who don’t (but perhaps imagine that they could, or would like to) is not some mysterious source of ‘inspiration’ but technical skill and the experience it’s based on. And maybe even more than that, it’s about attitude. It’s about fearlessness.
I’ve been thinking about this lately because I’ve been immersed in a task that was highly technical in nature, and less overtly ‘artistic’ than usual. However, it has in a way been highly creative and satisfying and I thought it would be interesting to explore that a little – and get around the music-and-art-bias that sometimes pervades things around here.