We’re travelling in Canada just now, and we just got back to Montreal (our home base when we’re back here) from a week-and-a-bit in Ontario. One of our stops was with some old friends north of Toronto; since Ed, one of the friends in question, has also been a lifelong musical collaborator, it seemed natural to try to make a little music together to mark the occasion.
This is nothing unusual; despite our lives taking very different directions over the years, we’ve tried to maintain our musical connection with fairly frequent collaborations of one sort or another – I’ve sat in with his band on a few occasions, which is always fun, and played some tracks on a couple of his albums, including the superb new double album ‘Oracles and Ice Cream‘.
However, this time we flipped things around a little – I invited him to contribute to an installment of my ongoing ambient/electronic project, Sound Fascination. I really had no idea how this would turn out – we’ve never worked in that style together, and we weren’t even playing together per se, I was simply trusting him to jump in and find something cool and interesting to play over a ‘bed of sound’ I’d prepared. Which, of course, is exactly what happened.
Connect the dots
When I posted this track (called ‘Melancthon‘ after the township Ed lives in), I included the following in the description:
“It’s always amazing to me how after so many years we can still find the connection point so easily and organically…”
… and this got me thinking about creative ‘connection’ and what that might mean, and how one might go about fostering such a thing. I’ve written here before about collaboration and what an important role I think it plays in creative life and development, but I’m talking here about that natural, effortless mutual understanding that sometimes ‘just happens’ with someone – and makes collaboration that much easier, deeper, more efficient and satisfying.
While it’s not so surprising that I should have an easy and ‘organic’ musical connection with someone I’ve known all my life and indeed, with whom I learned much of what I know about music (at least, much of what I think is really important), this kind of connection is something I’ve felt with people I’ve just met, and people who work in completely different creative arenas.
So I’ve been thinking about what might lie behind this. How is it that sometimes we just ‘connect’ with other people and sometimes we don’t? Is it a matter of some literal or figurative ‘chemistry’ we cannot hope to understand intellectually? (I’m talking about creative connections here, primarily, but of course people ‘connect’ with each other, or fail to, in all sorts of ways). Is there some common factor in all these different kinds of connection? More