I can’t say I’m the world’s most prolific social media user sometimes, especially when I’m going through a heavy work phase as I have been recently (more on this soon)… but sometimes I have to admit that it facilitates wonderful meetings with people I would very likely never have encountered otherwise.
Recently, after a lively debate on another online-friend’s post, I was contacted by Deryn Collier to see if I was interested in making a contribution to her ongoing series of ‘Soundbites’ - short, provocative question-and-answer format pieces on creative ideas and issues.
The question Deryn gave me was this:
Stacey Cornelius’ post a few weeks ago got us talking about creativity and risk. You have a project underway where you compose a piece in less than an hour and you post it immediately to your website. Most people would call this risky, but you think of it as exploration and play. Is there a difference? What is it? Risk of what? Exploration of what?
And, given the tight 200-word limit, here’s what I came up with:
First I should probably clarify that the ‘under an hour’ thing is more a prescription than a rule, as I don’t like being rigid about these things. However, it’s a helpful framework for actually getting something done… It also minimizes risk, as it’s clear that not every session will produce a masterpiece.
However, I believe creative risk is largely artificial and comes from falling into a trap I like to call the Phony Syndrome – imagining that everything we ‘put out there’ is an opportunity for the world to discover the frightened child hiding behind the confident, competent façade we try so hard to maintain.
But kids don’t actually do this to themselves, at least not until we teach them to. They don’t worry about how their work will be perceived, they just pour the blocks out on the floor and start stacking them up into something. What people will think of it or whether it’s ‘good enough’ are thoughts that don’t enter their minds until later. I think it’s our great mistake to let them in.
So I basically try to channel that approach as much as possible. If people end up liking the results, so much the better!
We’re travelling in Canada just now, and we just got back to Montreal (our home base when we’re back here) from a week-and-a-bit in Ontario. One of our stops was with some old friends north of Toronto; since Ed, one of the friends in question, has also been a lifelong musical collaborator, it seemed natural to try to make a little music together to mark the occasion.
This is nothing unusual; despite our lives taking very different directions over the years, we’ve tried to maintain our musical connection with fairly frequent collaborations of one sort or another – I’ve sat in with his band on a few occasions, which is always fun, and played some tracks on a couple of his albums, including the superb new double album ‘Oracles and Ice Cream‘.
However, this time we flipped things around a little – I invited him to contribute to an installment of my ongoing ambient/electronic project, Sound Fascination. I really had no idea how this would turn out – we’ve never worked in that style together, and we weren’t even playing together per se, I was simply trusting him to jump in and find something cool and interesting to play over a ‘bed of sound’ I’d prepared. Which, of course, is exactly what happened.
Connect the dots
When I posted this track (called ‘Melancthon‘ after the township Ed lives in), I included the following in the description:
“It’s always amazing to me how after so many years we can still find the connection point so easily and organically…”
… and this got me thinking about creative ‘connection’ and what that might mean, and how one might go about fostering such a thing. I’ve written here before about collaboration and what an important role I think it plays in creative life and development, but I’m talking here about that natural, effortless mutual understanding that sometimes ‘just happens’ with someone – and makes collaboration that much easier, deeper, more efficient and satisfying.
While it’s not so surprising that I should have an easy and ‘organic’ musical connection with someone I’ve known all my life and indeed, with whom I learned much of what I know about music (at least, much of what I think is really important), this kind of connection is something I’ve felt with people I’ve just met, and people who work in completely different creative arenas.
So I’ve been thinking about what might lie behind this. How is it that sometimes we just ‘connect’ with other people and sometimes we don’t? Is it a matter of some literal or figurative ‘chemistry’ we cannot hope to understand intellectually? (I’m talking about creative connections here, primarily, but of course people ‘connect’ with each other, or fail to, in all sorts of ways). Is there some common factor in all these different kinds of connection? More
Once upon a time, I ran away to join the circus. Not a big-top-style circus with elephants and lion-tamers, but a circus nonetheless. And no, I’m not speaking figuratively. About 11 years ago, when we still lived in Canada, I got a call from an old friend who asked me if I would be interested in moving to Europe and playing piano in a show that he had been working in for a while, for pretty good money. The catch was that I had to be there the following week.
If that’s not a test-your-fearlessness moment, I don’t know what is.
As it happened, my then-girlfriend (now my wife) and I had ‘put the idea out there’ not long before that we would like to do some more traveling. But not in the backpack-and-railpass kind of way – we’d done a fair bit of that already; we were interested in living and working somewhere else for a while. And here was an opportunity to do exactly that.
So we took the plunge and, although much water has flowed under many bridges since then, we are still living in Germany a decade later. And while I left that particular show 6 years ago, I find myself working for a very similar outfit again now, and it’s given me a few things to think about – yet another lens through which to look at the endless subject of creativity through… More
So, as mentioned in the last post I spent some time with a number of old friends last week, and several of those I also count among the more creative people I’ve had the privilege of knowing over the years.
Today I’d like to be a bit more specific about this… and take the opportunity to talk about something I haven’t really touched on yet in these pages: collaborative creativity.
In many ways I am a fairly solitary creator much of the time, but as a performing musician I also find myself in collaborative situations quite frequently. Moreover, I have maintained a number of highly fruitful long-term associations with particularly gifted and creative musicians. One of these is my friend Ed Roman.
I visited Ed last week and we spent two days in the studio laying down some tracks for his new album. Although my involvement in the project ended a bit prematurely (due to a dental emergency), it was productive and inspirational and drew my attention to a few aspects of collaboration that seem worth exploring here…