There’s a unique feeling about being in a New Place – somewhere you’ve never been before, a place you get to see and experience for the first time, with fresh eyes and ears. Anyone who has travelled a reasonable amount will be familiar with it. There’s an alertness, an innocence, an openness to the experience which is really special and which can never really be reclaimed on subsequent visits – although familiarity, of course, brings its own very different rewards.
There is also a difference between being in a new place for a very short time, just passing through as it were, and moving to a new place for a longer period. ‘Just passing through’ is what many tourists and travellers do – even if you have a few days to spend in a great city, say, you still have limited commitment and are really only there for the quick ‘taste test’.
There’s nothing wrong with this, but the fact remainst that living someplace new for an extended period – say, a few months at least – is an essentially different experience. You see things through different eyes when you’re looking for things to ground yourself and your new life in. There is a greater sense of commitment to the neighborhood you have landed in, the shops you know you’ll visit many times, the patterns you’ll fall into.
You’re inserting yourself into the environment in a more substantial way, and allowing itself to get much deeper under your own skin. You’ll become enmeshed with it, hear and feel its more subtle rhythms and allow your own to synchronize somewhat with them.
And being conscious of this at the outset (perhaps because you’ve done it a few times before, as I have) is a pretty neat feeling. It’s fun to know that there is so much waiting to be discovered, so many secrets waiting to reveal themselves to your explorations, so many stories waiting to unfold.
Just passing through, or staying a while?
That’s what I’m experiencing now, for the first time in many years. I’ve relocated for 5 months or so to Vienna, Austria – one of the great cities of Europe, without a doubt, and a place with a deep and complex history and culture which I’m excited to have the opportunity to really explore.
And it’s got me thinking about that particular sense of openness that comes with relocation – as distinct from the dislocation of travel which I discussed in the last post. More than being open to new experience, allowing a place to make its superficial imprint on you and imagining what it might be like to live there, this is about opening ourselves up as well. It’s a symbiotic thing.
In a sense, any creative act is more like this than like the just-passing-through feeling of travel; we give of ourselves to a new creation, and we allow it into ourselves just as we shape it, put our stamp on it, and so on.
But I’m wondering if some creative work is more like this, and some more like travel. There is a different feeling when poised at the edge of beginning something ‘big’, a sense of anticipation that many things remain to be discovered, many secrets have yet to be revealed… More
I had a good night at work last night. Not a perfect night, mind you, just a good night. And while riding home through quiet streets (I’m a pretty devoted bicycle commuter) I started to think about what made it a good night.
Now regular readers will recall that my current ‘job’ is playing piano and keyboards (and a bit of trumpet) for a crazy circus/cabaret/dinner theatre show called Palazzo. So when I say I had a good night, it means I was happy with my playing, and with how I presented myself and contributed to the music and the show.
So I got to thinking, what goes into that? In a nutshell, I need to feel that I’m basically ‘good enough’ for the job I’m paid to do, or the project I’ve taken on. Maybe a bit more than good enough, but at least that. I am not the kind of person that is able to be happy with myself or my work if I feel like I’m struggling and not really delivering the goods.
Since I grew up around a lot of scientists and generally like to systematize things, let’s break it down. What are the specific requirements of ‘good enough’ – or of ‘feeling successful’, as a wise colleague used to call it?
Well, I’ve come up with four which seem to determine it for me in my current line of work, and as usual I suspect they may apply more broadly…
I enjoy explaining things, which is a good thing, since I have an almost-five-year-old who likes to ask questions. I suppose this is not unusual, but I’ve always viewed it as an interesting challenge to give him answers that are clear but comprehensible. And as time goes by, his questions get more and more interesting and perceptive.
I’ve noticed a trend in our explaining-things conversations: my answers tend to inevitably progress towards more basic underlying concepts, usually with a single fundamental tenet at the end: entropy and the laws of thermal dynamics, basic evolutionary theory and genetics, or often, the idea of energy. (I realize that these are fairly abstract concepts for a small child, but my philosophy is to be honest and clear and try to give examples that relate to familiar things).
‘Energy’ is one of those words with a lot of definitions, like ‘time’ or ‘spring’ or ‘clear‘. It’s a rich and subtle concept and underlies a lot of our relationship with the world. Everything we do, indeed everything in the universe, can be expressed and understood as an exchange or a transformation of energy.
Creativity is, of course, no exception. While creating ‘something out of nothing’ is a nice turn of phrase, under the surface nothing new is ever really created, we just move things around and reorganize them into new patterns. That’s still a lot, and making new patterns is a profound and transformational thing to do! But here’s the thing: it takes energy.
And in my own life, energy has been at something of a premium for the last few months… More
Two heads are better than one…
I’ve heard a few people say that there’s nothing like getting interviewed to let you know what you’re really all about, and I’ve recently had occasion to discover that there’s a lot of truth to that. There’s something about the format, just replying to questions from an interested person and trying to make some sort of sense about things you normally take for granted… it seems to bring out unexpected insights.
I mean, as a professional musician and someone who’s had it in mind to be one since childhood, I’ve thought over the kinds of things I might say in an interview many times, though opportunities to deploy these musings have been thin on the ground thus far. And of course it’s not exactly the same, because the things you think someone might ask are often the things you already have in mind, whereas the things someone’s actually likely to ask might be completely different.
So it’s with some pleasure that I can now send you to an audio interview I did recently for a new series called ‘Mix and Master‘, where my new friend and colleague Oleg Mokhov will be talking to a variety of independent musicians about how they make it work, what makes it worthwhile, and probably many other things as well. I was honored to be his first guest, and I hope you’ll find the resulting conversation worth listening in on; it was definitely a lot of fun and an interesting experience for me. (There are a few audio dropouts and glitches here and there, but most of the essential points come through). More